The Samurai Lives On

March 25, 2010 by admin  
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The Art Of The Samurai Still Lives On

In today’s modern society, samurai and the art of sword fighting has an immediate appeal to many thousands of people. There has been a huge upsurge in students flocking to Dojos around the world looking to learn the art of the samurai, whether their hand combat techniques or their most famous sword fighting.

Japanese samurai swords, called katana swords are the stuff of legends. While students will first be taught with a boken or wooden mock sword they will eventually progress to a ‘live’ blade if they persist in the art. Celebrities such as Steven Seagal, who trained in Japan with Aikido master Morihei Ueshiba has brought samurai warriors and legends of samurai to the popular mind in the same way that Bruce Lee and Jacky Chan have done with Chinese Kung Fu.

The image of the modern samurai has been popularised in many a Hollywood film with one of the most epic modern tales ‘Star Wars’ using kendo practitioners to enact the light saber battles. There have also been the ancient samurai heralded in recent films like ‘The Last Samurai’. Manga cartoons are one of the biggest exporters of the samurai legends and the Japanese popular culture that has sprung up around them, both in Japan and in the rest of the world is testament to their lingering appeal.

Today there is also a booming industry for katana swords, with some handmade katanas fetching thousands of dollars to dedicated collectors or practitioners.

Most martial arts equipment stores will sell a version of the katana blade, whether a live blade or a boken, and there are many cheaply produced blades available for purchase in almost every country. The prized handmade katanas are rarer, and usually for sale to an exclusive clientele at auction or through dedicated sellers either online or by order.

Whilst the true art of the finest blade swords has been lost in history, many swordsmiths today are trying to regain the lost knowledge in order to make real samurai swords like those of legendary swordsmith Masamune.

The art of samurai sword making is also being evolved by some smiths, who have incorporated modern technologies into the process. Swordsmiths like Howard Clark have produced fine quality blades that are in such demand he stopped taking order in 2003.

So whilst the real Japanese samurai have long since vanished, we can see their enduring ghosts in the ever present fascination with their weapons and way of life, and their reincarnation in popular films, television and fiction.

And now on a less serious note, a great scene of contemporary samurai sword fighting

The Japanese Fighting Arts

March 20, 2010 by admin  
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History Of Japanese Fighting Arts

The origins of karate are somewhat obscure. The most popular tradition traces them to the arrival in China of the fierce Indian monk Bodhidharma, or Daruma taishi, to give him his Japanese name. He is said to have arrived in Canton in AD 520 and he was also the First  patriarch of Zen Buddhism in China.
Bodhidharma imposed the most severe discipline on the monks under him at the monastery of Shaolin. His students and their successors became famous for their physical prowess as well as their mental discipline and Shaolin was to give its name to one of the foremost schools of Chinese boxing. Shaolin boxing was introduced into the Ryukyu Islands, of which Okinawa is the main island, in either the fifteenth or the sixteenth century.
These were tough times in the Ryukyus. A succession of tyrannies, for their own preservation, had made the possession of weapons by any member of the civilian population a state offence. Understandably this boosted the interest in unarmed combat, producing a system called Okinawa-te, a mixture of Chinese and indigenous influences.
There were in fact many different ‘schools’ of Okinawa-te, each one carefully guarding its secrets from the others. Secrets had also to be kept from the ruling classes and from any individual who might have misused them. Therefore, all training was carried out in the early morning or late at night, or else behind locked doors. No beginner was accepted until his good character had been established.
Thus modern karate is the outcome of centuries of interchange between China, the Ryukyus and Japan. It only recently came to be openly taught to the public first in Okinawa and later in Japan. During 1917 and 1922 the late Gichin Funakoshi, President of the Okinawa
Bushokwai, demonstrated his powers in Tokyo. Funakoshi was to become Supreme Instructor of the new Japan Karate Association and by 1935 karate clubs were established at most of the leading universities in Japan.
2. Mental Development
The primary aim of practising meditation in karate is not to turn the fighting art or the  sport into a religion. It serves a practical purpose. Rigid patterns of thought and confused emotions always tend to obstruct the understanding and anticipation of an opponent. They close the mind, and meditation or ‘mokuso’ is the means by which you are able to clear it before training. Here is how to practice.
You begin by sitting on your heels, Japanese style. Your back is straight, chest out, shoulders down, and your nose must be vertically in line with you navel. Look straight ahead for a few minutes, then half close your eyes and fix them on a point two yards ahead of you on the floor. After a few more minutes completely close your eyes but continue to see the point on the floor in your imagination.
While you are a beginner, in order to forget whatever you may have on your mind, it may be helpful to concentrate on your breathing.
Imagine that you send the breath to the top of your head, down through the spine to the coccyx, the anus and the testicles, then concentrate it in the abdomen for a few moments. Return it through the chest to the mouth, breathe out and repeat.
Either routine should ideally be repeated at least once every day for five or ten minutes, and also before and after training. We have already mentioned its use before training. The purpose of ‘mokuso’ after training is to quieten the mental and physical excitement which a hard session necessarily entails. At this time it is practised by all the students, sitting in line, facing
their instructor.
It would be difficult to exaggerate the importance of ‘mokuso’. You may not appreciate it at first but you will soon feel the benefits if  you practise it every day. It is the moments of complete blankness, of being empty of all thoughts, that enable you to cultivate the sixth sense that men have to such a large extent forfeited in return for intellectual development. It was precisely this sixth sense that enabled the mediaeval ‘samurai’ to fight in pitch darkness or anticipate the most cleverly concealed ambush.
Ultimately, karate should consist in the mental control of an opponent or opponents. If you’re challenged to fight, you will be prepared to avoid any attack and at the same time you will observe your opponent’s weakness. You will take for granted a successful outcome for yourself and will concentrate completely. Without thought you will be aware of every slightest change or movement in the environment. In such a state of mind you are ready to beat your opponent in physical combat, and meditation is essential for the cultivation of such a state of mind.
But if, on the other hand, you can control an opponent by sheer mental force – by the force of your personality – and make a peaceful settlement, this is the course you will choose.
This is a discipline common to all the martial arts. It is known as ‘kiai-jutsu’ and is the real end of meditation in ‘budo’.

A brief history of the Samurai Sword

February 1, 2010 by admin  
Filed under Featured

The history of the Japanese Samuari sword is one that goes back many hundreds of years, with the first signs of the Japanese swords being traced back to around thirteen hundred years ago.

The very first blades were a basic variant of the Chinese straight bladed, double edged sword called a jian. The very first precursor to the Japanese katana was seen at around 700AD which were straight swords with a curve at the tang only. Around the tenth century saw Japan cleaving close ties with China and begin developing its own social and class divisions and it was in this time that the palace guards and gentry became the first samurai warriors, and with them developed the first real samurai swords.

The legends of samurai tell of the Emperor’s smith Amakuni who made the first fully curved blade after receiving divine inspiration from the Kami. His sword was praised by the Emperor and the tradition of the curved handmade katanas was born.

The golden period for the authentic samurai swords was between 1192 and 1573 in the Kamakura and Muromachi periods. After the near loss of Japan to the veracious Mongol invaders, the need for a virulent national defence was seen, and so sword smiths were kept very busy. The most famous of Japanese katana smiths was in this period and the legendary Masamune’s swords are still the most prized and exquisite handmade katanas the world has ever known.

It was Masamune who first perfected the art of folding the metal to create the beautiful temper line with crystals imbedded in a pearlite matrix. His remaining blades are considered priceless national heirlooms.

The Japanese samurai swords went into a dark period when the gun was introduced and the skills of the previous generation were almost lost. When this turbulent time in Japanese history was over, the Japanese katana once again rose in the exclusive hands of the privileged samurai class.

With the coming of the west and two world wars, the Japanese katana became a symbol of nationalism, and thousands were roughly produced to equip officers of the army. Since the end of World War II there has been an uptake in interest in the traditional art of samurai swords, and many smiths world wide have tried to reproduce the golden methods of tempering the blade perfected by Masamune. However hard they try, and whatever new methods are devised his still remain the ultimate blades.

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